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Author Topic: Argo  (Read 14344 times)
MahrinSkel
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Reply #35 on: February 25, 2013, 09:42:20 PM

Elektra isn't even terrible.  I've seen it three times, but can't remember a single scene, or even a line.  It doesn't even manage to be memorably bad.

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Lakov_Sanite
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Reply #36 on: February 25, 2013, 10:11:46 PM

I'm just trying to say Afflec has been in stinkers but so has everyone, Tom Hanks in war of the roses anyone? I admit he's has a sort of douchey quality but so do a million other actors. I guess I'm just wondering why he gets singled out, maybe it's just hard to dislike Matt Damon in any way so the hate has to go somewhere?

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Reply #37 on: February 25, 2013, 10:35:07 PM

Who is this Afflec person?
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Reply #38 on: February 25, 2013, 11:45:28 PM

I think Affleck picked up a lot of badwill when he was everywhere with Jennifer Lopez. He also looks like the smug guy you want to punch (or at least did when he was younger).

But he's a great director and his acting has improved as he's no longer cast as the smug git.

As for "Daredevil" - Affleck is okay, but the script / theatrical edit makes it a weak film. I've got the Director's Cut, but haven't watched it.

I'd rather watch "Daredevil" than, say, "Spider-Man III".

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Reply #39 on: February 26, 2013, 12:20:20 AM

Clooney was not the problem in batman.

Affleck was (one of) the problems in Daredevil. And Argo for that matter.


He is not good at acting. He plays the same 'mildly frustrated, slightly out of his depth, and quite arrogant young man' in every scene and it is tiresome.

I don't want to see him on a cast list, just like I don't wish to see Steven Spielberg or JJ Abrams on a cast list.

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Merusk
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Reply #40 on: February 26, 2013, 06:30:17 AM

Tom Hanks in war of the roses anyone?

War of the Roses was Michael Douglass and Kathleen Turner.  I think you mean The Money Pit, which was him and Shelly Long.  It was also hilarious if you've ever done any sort of renovation work.

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Lakov_Sanite
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Reply #41 on: February 26, 2013, 06:33:58 AM

No I was thinking Bonfire of the Vanities actually.

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Reply #42 on: February 26, 2013, 06:46:57 AM

I just don't get why people hate Afflec so much, I mean he's done some stinkers but what actor hasn't?

DiCaprio?


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Reply #43 on: February 26, 2013, 06:58:17 AM

The quick and the dead.

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Reply #44 on: February 26, 2013, 07:47:30 AM

Wait, hold on.


....Did you actually just express an opinion that could in some way be construed as negative towards The Quick and the Dead?

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Shannow
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Reply #45 on: February 26, 2013, 07:48:34 AM

I just don't get why people hate Afflec so much, I mean he's done some sinkers but what actor hasn't?

DiCaprio?



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Reply #46 on: February 26, 2013, 07:55:14 AM


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Reply #47 on: February 26, 2013, 09:02:55 AM

I just don't get why people hate Afflec so much, I mean he's done some stinkers but what actor hasn't? In my mind he's proved he has some chops as an actor with his latest movies.

Daredevil.

I've heard that Daredevil is actually not a terrible movie if you see the director's cut, as they apparently cut out a lot of important stuff.  I'm not willing to find out personally, though. 

It doesn't make it a great movie but it does make it better.  It's a hell of a lot better than fucking Elecktra that's for sure. 

This. It's a mediocre movie in the director's cut. It's a HUGE improvement from the theatrical. But yeah, Elektra? There isn't a cutting room floor big enough to make that movie not be total shit.

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Reply #48 on: February 26, 2013, 09:54:19 AM

"The Quick and the Dead" is awesome and I rewatch it every time it comes on tv.

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Reply #49 on: March 01, 2013, 10:36:07 AM

I just want to make sure I'm understanding the English language that is used here correctly. Is there someone here who is saying "The Quick and the Dead" is a bad movie?
MahrinSkel
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Reply #50 on: March 01, 2013, 12:12:02 PM

I just want to make sure I'm understanding the English language that is used here correctly. Is there someone here who is saying "The Quick and the Dead" is a bad movie?
There are much more believable alternate history westerns.  Wild Wild West, for example.

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Lakov_Sanite
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Reply #51 on: March 01, 2013, 12:39:03 PM

I mean, is the prevailing view that it was a good movie? Cause you know, it wasn't.  Fun to watch maybe? I could see that angle but definitely not good.

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Reply #52 on: March 01, 2013, 01:03:40 PM

Hollywood saves the world.  What could go wrong?


I like the  Tinfoil Hat  that the CIA partly funded Argo (and Zero Dark) to help its image.  "We get things done".
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Reply #53 on: March 01, 2013, 02:37:20 PM

A variant take on Argo

Quote
If nothing else, "Argo" is an exercise in American exceptionalism - perhaps the most dangerous fiction that permeates our entire society and sense of identity.  It reinvents history in order to mine a tale of triumph from an unmitigated defeat.  The hostage crisis, which lasted 444 days and destroyed an American presidency, was a failure and an embarrassment for Americans.  The United States government and media has spent the last three decades tirelessly exacting revenge on Iran for what happened.

"Argo" recasts revolutionary Iranians as the hapless victims of American cunning and deception.  White Americans are hunted, harried and, ultimately courageous and free.  Iranians are maniacal, menacing and, in the end, infantile and foolish.  The fanatical fundamentalists fail while America wins. USA -1, Iran - 0.  Yet, "Argo" obscures the unfortunate truth that, as those six diplomats were boarding a plane bound for Switzerland on January 28, 1980, their 52 compatriots would have to wait an entire year before making it home, not as the result of a daring rescue attempt, but after a diplomatic agreement was reached.

Reflecting on the most troubled episodes in American history is a time-honored cinematic tradition. There's a reason why the best Vietnam movies are full of pain, anger, anguish and war crimes.  By contrast, "Argo" is American catharsis porn; pure Hollywood hubris.  It is pro-American propaganda devoid of introspection, pathos or humility and meant to assuage our hurt feelings.  In "Argo," no lessons are learned by revisiting the consequences of America's support for the Pahlavi monarchy or its creation and training of SAVAK, the Shah's vicious secret police.

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Reply #54 on: March 01, 2013, 03:00:48 PM

Well, yeah.

So what ?  Same as it's been for years.

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Lakov_Sanite
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Reply #55 on: March 01, 2013, 03:42:52 PM

And? The entire star trek franchise is about human exceptionalism, think of the poor Romulans.  Have you ever seen any movie made in China? The amount of excessive patriotism and nationalism is staggering. 

In short, everyone does it, old news, yadda yadda yadda.

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Reply #56 on: March 01, 2013, 11:31:28 PM

I actually thought the little explanation at the start of the film was a pretty even-handed (if not sympathetic) explanation of why Iranians were pissed off at the U.S., something that isn't exactly broadly acknowledged as having any legitimacy.  As usual people use a movie like this as an opportunity to pontificate.

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Reply #57 on: March 02, 2013, 01:04:20 AM

And? The entire star trek franchise is about human exceptionalism, think of the poor Romulans. 

Except that Star Trek isn't based on a true story. If it were, the Klingons would probably want a word too.

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Reply #58 on: March 02, 2013, 07:26:39 AM

I actually thought the little explanation at the start of the film was a pretty even-handed (if not sympathetic) explanation of why Iranians were pissed off at the U.S., something that isn't exactly broadly acknowledged as having any legitimacy.  As usual people use a movie like this as an opportunity to pontificate.

Seriously, it doesn't bother anyone that it's a made-up story (so *loosely* based on the real truth), that most of the stuff depicted in the movie didn't really happen as portrayed -- not just painting CIA as hero instead of Canadian diplomat, inventing and inserting chase and pursuit that did not occur -- Argo supposedly portrays the rescue of 6 American diplomats from Iran in 1979, by an intrepid CIA agent, who leads them out of Tehran disguised as members of a film production crew. The movie is like a recruiting ad for the CIA. Except for the fact that the idea for the escape, the false passports provided to the Americans, the reconnaissance of the Tehran airport etc. etc., came not from the real-life CIA character, but from plucky Canadian diplomats, led by their ambassador Ken Taylor.

But I suppose it no different than past "historical" films -- U571 (where courageous American troops retrieve the Nazi Enigma code machine by boarding a German submarine in disguise when in fact it was the British who captured the Enigma and broke the code), The Last Samurai (American soldiers led by Tom Cruise save the day for Japan when they are brought in to train the Japanese Imperial army against a 19th century uprising but in reality, it was the French who trained them), JFK (fraudulent & cartoonish, and worse, makes doubting the "official" story look like soiled Bircher fare) & The Patriot (so historically egregious and misleading, even Smithsonian withdrew and disavowed any association).

Problem is, most people watch these and it becomes their accepted and honored version of history. Might not have been as large a matter when people actually read (which too is littered with untruth, but not to the degree and impact moving images implant).

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Reply #59 on: March 02, 2013, 07:30:41 AM

Holy shit, you mean to say that movies have lots of historical alterations and untruths. Mind blown...

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Reply #60 on: March 02, 2013, 08:03:40 AM

Saying that a film is inaccurate is never an interesting point. The interesting point is, "Inaccurate in which way, and to what end?" Which is where Naum's comment is spot-on. You could make this same story be just as taut and interesting as a thriller with Canadian diplomats as the central movers of the plot and the occasional CIA advisor or contact as a dangerous, unreliable wild card that might ruin the whole thing. Hell, you could make the Iranian housemaid the heroine if you angled the story another way.
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Reply #61 on: March 02, 2013, 09:42:02 AM

Christ, what a horribly written article.  Not sure if the Douchebag even watched the movie, the comments he makes are so off base.  It DID explain why the embassy was over run, why people were pissed, and I felt gave a fair portrayal.  He's mad because the movie showed post revolutionary Iran as being violent?  It god damned was!  Read any book or accounts by actual Iranians!  Blarg, that whole thing read like the left wing equivalent of a redstate article.  All brainless hyperbole.

You can quibble about how the Canadians were marginalized and other things like that.  Trying to say it was a hit piece on Iran?  GTFO.  The film was just a fun romp that this guy is over thinking.  Truth is a Canadian/CIA operation happened that saved 6 Americans.  It told a Hollywood version of that which was fun, and over all harmless.  It wasn't some ultra patriotic masturbation piece like The Patriot.

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Reply #62 on: March 02, 2013, 11:21:08 AM

Holy shit, you mean to say that movies have lots of historical alterations and untruths. Mind blown...

You mean William Wallace did NOT bang and impregnate the Queen of England?  headache

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Reply #63 on: March 02, 2013, 01:13:28 PM

Holy shit, you mean to say that movies have lots of historical alterations and untruths. Mind blown...

You mean William Wallace did NOT bang and impregnate the Queen of England?  headache

Get ta fook out wit ye!

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Reply #64 on: March 03, 2013, 04:00:24 AM

Personally I disliked the Patriot, U571, and The Last Samurai because they are terrible movies.

But in Argo the inaccuracy stuff seems to matter even less because the message of the film, unlike those above was not "America! Fuck yeah!".

The film I saw (some critics appear to have seen another version idk) covered the issue of the US contribution to the problem right at the start, and America as a chaotic entity making both good and bad decisions was writ through the whole damn thing.

If they had introduced more characters of other nationalities they would have ended up sanctifying one team or another just through lack of screen time, which would have weakened the whole film.

The focus on Americans allowed the film to build a more complete commentary on America and America's views of the wider world, which made for a better film.

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murdoc
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Reply #65 on: March 04, 2013, 06:22:47 AM

Any film that I enjoy that is 'based on true events' just encourages me to go do some reading and research into the actual event. It's a movie, it's primary motive is to entertain and if it helps encourage me learn something new, good for it. 'Argo' wasn't a documentary.

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Reply #66 on: March 04, 2013, 04:26:38 PM

I saw this Sunday afternoon and pretty much agree with everything eldaec said.

I'll be honest though, having people in the theater cheering and clapping at certain scenes was a much more annoying thing than the historical inaccuracies.
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Reply #67 on: March 16, 2013, 05:50:09 PM

U571 (where courageous American troops retrieve the Nazi Enigma code machine by boarding a German submarine in disguise when in fact it was the British who captured the Enigma and broke the code),
Actually it was Poles who broke Enigma, the submarine service used an extra wheel on the machine which is what they recovered from a submarine.
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Reply #68 on: March 16, 2013, 07:12:57 PM


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